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๐Ÿ’˜ my cinematic amorousness ๐Ÿ’˜
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I don’t treat films simply as stories. For me, it’s almost like a place where I want to escape ๐Ÿƒ‍โ™€๏ธ. Sometimes — to hide. Sometimes — to breathe life into a new way.

๐ŸŽฅ The first was “Amelie”. I didn’t know the word “inspiration” back then, but since then I’ve started looking for the one in myself who can enjoy the little things.

โณ Then there was “The Hours”, after which I walked around with a lump in my throat for half a day and didn’t understand how the text could hit the nail on the head so hard.

๐Ÿ’ค "The Science of Sleep" left me with the feeling that love is not logic, but a sleepy world in which you can drown.

I watch my favorite movies over and over again. And each time - as if for the first time. It's not about the plot. It's about emotion ๐Ÿ’ซ. State. The film becomes not "what to watch", but "where to return" ๐Ÿ .

Sometimes I turn on a movie not for entertainment, but because I want to feel myself. Find out where I am - in intonation, in a look ๐Ÿ‘€, in a pause. There are scenes that I know by heart, but I still wait for them with bated breath.

It's like meeting an old friend ๐Ÿค. He won't tell you anything new, but you will feel warm just from his presence.

And if I'm sad - I turn on "Piana" ๐ŸŽน or "Magnolia" ๐ŸŒธ.

If it's happy — "Midnight in Paris" ๐ŸŒ™ or "Julie and Julia" ๐Ÿ‘ฉ‍๐Ÿณ.

Maybe I'm just a romantic ๐Ÿ’–. Or maybe those films help me stay myself. And if I ask what relationship has been the most stable in my life — it will be the relationship with cinema ๐ŸŽฌ.

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